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They arenвЂ™t the focus of this show but they do the majority of the dramatic heavy lifting. Gustafson, Troilo, and Doherty share the stage with their young costars graciously. Judice, skillful in voice and dance, tackles his solo with unrepentant agnst. ConradвЂ™s staging is Flashdance meets the Olympics. Both worlds come to a head in вЂњAngry Dance,вЂќ a solo during which Billy rages against gender expectations. Her dancers are playful yet soft, while her coal miners are athletic and firm.

Laurel ConradвЂ™s choreography dexterously grasps the parallel needs of the musicalвЂ™s themes. Rather, John and Lee misunderstand the needs of their musical. ConradвЂ™s staging is simple overshadowed by insensitive writing. They should have learned a lesson from вЂњExpressing Yourself,вЂќ a drag and tap self acceptance anthem (joyfully lead by Shane Boucher in this production). Elton JohnвЂ™s music and Lee HallвЂ™s lyrics require a larger ensemble to tackle this song with integrity. The performances from the cast make up for a lot of the musicalвЂ™s shortcomings.ДЄs written, вЂњBorn to BoogieвЂќ doesnвЂ™t work.

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Hall wrote the screenplay for the movie but its rough charm is missing from the musical. This is not Elton John or Lee HallвЂ™s best work, either collaboratively or individually. His journey to the Royal Ballet school is rife with lessons, the most prominent being that the arts are equally as necessary to society as politics. Billy gets sucked into a ballet class while attempting to pass off building keys to Mrs. Billy Elliot (Seth Judice) is waiting for his boxing class while his Dad (Neil Gustafson), and brother Tony (Jared Troilo) celebrate the strike. The coal minersвЂ™ strike is just beginning. It is 1984, and MP Margaret Thatcher is a big disappointment to the working class. The big distinction is the musicalвЂ™s Disney-fication.

The musical, based on the movie, incorporates many points of the movieвЂ™s plot. They are more worried that Billy might be gay, than they are in monitoring BillyвЂ™s daytime whereabouts. The 2000 source movie Billy Elliot, is a sweet and rough story about a working class boy who becomes enchanted with dance while his widower father, and brother are caught up in the coal minersвЂ™ strike. ( Boston, MA ) Wheelock does great work with Billy Elliot:The Musical. вЂ“ Winston Churchill (that other quote attributed to Churchill is not something he actually said.) The State owes it to itself to sustain and encourage themвЂ¦.Ill fares the race which fails to salute the arts with the reverence and delight which are their due.вЂќ вЂњThe arts are essential to any complete national life. Recommended for ages 8+ for mild violence, occasional references to sexy times by children who donвЂ™t understand what they are saying, and English cursing. Sign Performances by Luke Baer, Alvin Haas, Ali SchmalenbergerДЄudio descriptions by Cori Couture, Ruth Celia KahnДЄSL performances on Fri, Feb 24 7:30, & Sun, Feb 26, 3 Photo by Glenn Cook Photography on the way to boxing class.Д«ased on the Universal Pictures/Studio Canal film Billy Elliot

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